How To Record A Drum Set With One Mic

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6 Techniques For Miking A Drum Kit With A Single Mic

© 2022 Bobby Owsinski (source: iStock Photo)

Just because you have a lot of mics and tracks at your disposal, that doesn't necessarily mean that you'll go a smashing drum sound. Sometimes, the simplest methods can provide a realism that y'all just can't get from shut-miking every drum. Hither are half-dozen techniques culled from my Recording Engineer'southward Handbook that show how you lot can become some surprisingly skilful results from just a single mic.

Technique #one: Visualize an equilateral triangle with the base of operations of the triangle being the overall width of the kit; then position a mic (start with a cardioid blueprint just don't be afraid to try other patterns) at the apex of the triangle, directly above the center of the kit. In other words, the acme of the mic is the same as the width of the kit (encounter the effigy on the left).

Technique #2: Position a mic three anxiety in front of the kit about 3 feet high, looking between the toms and the cymbals toward the snare. If you demand more kick, lower the mic. If you need less, motility it college and away from the kick.

Technique #3: Place a mic about 3 feet in forepart of the drums with the mic high enough to point downward at the snare (the center of the kit) at nigh a 45-degree angle. If you need more kick, lower the mic. If yous demand less, raise information technology (come across the effigy below).

© 2022 Bobby Owsinski (source: iStock Photo)

Technique #4: Place a mic 5 anxiety high and 8 anxiety or and so direct in forepart of the kit. This method may provide a more than balanced kit, but it will have much more room ambiance.

Technique #v: Identify a mic over the drums but about fifty-fifty with the height of drummer's head. Make sure that the mic is angled at the whole kit in such a style as to go coverage of the toms without too much cymbals (see Figure below).

© 2022 Bobby Owsinski (source: iStock Photo)

Technique #6: Place a mic over the drummer's correct shoulder, angled down into the center of the kit.

• Variation: Use the aforementioned positioning as whatever of the higher up techniques, but use a stereo mic instead.

These unmarried mic techniques won't give you lot a wide spacious sound like miking in stereo tin, merely at least one of them will work well if you're looking for that "vintage" focused sound.

You can read more from The Recording Engineer's Handbook and my other books on the extract section of bobbyowsinski.com.

How To Record A Drum Set With One Mic,

Source: https://bobbyowsinskiblog.com/drum-kit-single-mic/

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